DREAMLAND (2019)
Flick finds hitman Johnny (Stephen McHattie) being tasked by his boss Hercules (Henry Rollins) to cut off the pinkie finger of a fading jazz musician (also McHattie), whom Hercules wants to teach some respect. Not only does Johnny botch this assignment, but makes things worse when he rescues a 14 year-old girl (Themis Pauwels) from Hercules’ clutches, that has been betrothed to a vampire (Tómas Lemarquis). Really! That’s the plot!
Bruce McDonald (Hellions, Pontypool) directs this dull flick from a mess of a script by Tony Burgess and Patrick Whistler. It’s a movie that has too much going on and never finds a way to cohesively bring it all together. We have an aging hitman, an aging junkie, jazz musician, eccentric mob bosses, child trafficking and a vampire…and that’s just for starters. Why did the Countess’ (Juliette Lewis) brother have to be a vampire in the first place? It doesn’t seem to really effect the story too much. What was the point of McHattie playing both characters? It’s actually a little confusing for the first few minutes. Finally, what was the point of all this, as it doesn’t really go anywhere. Despite his noteworthy earlier films, McDonald only succeeds here in making 90 minutes seem like hours. At least his visual style hasn’t failed. The European locations look great, by way of cinematography by Richard Van Oosterhout. Only thing to really recommend here.
-MonsterZero NJ