Flick takes place in NYC on Christmas Eve where pretty executive Angela Bridges (Rachel Nichols) is the last one to leave the office. She gets to the parking garage to find her car won’t start and the building is now locked down. Those are the least of her problems, as she is trapped inside the building parking levels with psychotic parking attended Thomas (Wes bentley). The deranged man apparently has had his twisted eye on her for some time and will do anything, and to anyone, to impress/keep her.
Film is directed by Franck Khalfoun (the Maniac remake) from a script by he, Grégory Levasseur and Alexandre Aja (Piranha 3D, Crawl). It’s a well made thriller that is basically one long cat and mouse game. Angela continually tries to evade and escape Thomas, while the unhinged attendant tries to reacquire her after she initially gets away from him. It’s made even more difficult on Angela as she is scantily clad, barefoot and handcuffed and Thomas has the security system and a Rottweiler at his disposal. There are also a few casualties along the way, in his pursuit of his obsession, though body count is minimal. Rachel Nichols makes a really solid and resilient heroine, though Bentley is simply missing a strong threat factor, despite all the creepy and homicidal things he does. Sometimes he’s a little too over-the-top and thus more silly than scary. Things like his Elvis obsession don’t help. Despite being a nut, he comes across as kind of a wuss. There is never any doubt as to who is going to come out on top here and thus it’s not as suspenseful as it needed to be to really work. It’s entertaining enough, but there should have been more intensity and tension and it all leads back to Thomas simply being a weak villain.