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THE HUNT (2020)

Flick is yet another version of the the tired ‘rich people hunting poor people’ scenario. Here a group of elitist, extreme left rich folks bring a group of low income, right wing captives to an area of Croatia to be hunted for sport. A case of mistaken identity amongst their specifically chosen targets lands ex-soldier Crystal (Betty Gilpin) in their midst and she has no plans to die easily.

Flick gained some attention after being delayed from it’s September 2019 release date due to some real-life shootings at the time. Now having seen the film, it seems more like a publicity stunt to give some notoriety to this turkey. The flick is badly directed by Craig Zobel (the far better Compliance) from an awful script by Damon Lindelof and Nick Cuse. The makers give no credit to it’s audience for having any intelligence and the film stops dead, so characters can recite the film’s political and social commentary right at you. It’s so heavy-handed and obvious that midway through it starts to give you a headache. It would seem like the script writers had no faith in their own story to relay it’s messages…about race, immigration, the division between rich and poor…so they literally throw it in your face every chance they get. Having the rich a-holes being extreme leftists this time and their quarry being right wing “rednecks” does not cleverness make and the attempts at humor and satire fall flat most of the time, as well. Gilpin (Glow) does the best she can with what she’s given to work with and if there are any points to give here, her climactic fight with Hilary Swank’s villainous Athena, is fun to watch. The reveals during this last act confrontation, however, aren’t as big a deal as the film wants us to think they are. We’ve been force fed so much already, we simply don’t care at this point. Avoid unless you are too curious to save yourself money and 90 minutes of your time. Definitely a candidate for worst film of the year

-MonsterZero NJ



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