IT CAME FROM ASIAN CINEMA: SWEET HOME (1989)

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SWEET HOME (1989)

Hard to find haunted house flick has TV producer Kazuo Hoshino (Shingo Yamashiro) bringing a crew to the supposedly haunted Mamiya mansion that has been sealed for thirty years. It was the home of famed artist Ichirō Mamiya and Kazuo believes his final works rest inside. Along for the production are his daughter Emi (Nokko), reporter Asuka (Fukumi Kuroda), cinematographer Ryō Taguchi (Ichiro Furutachi) and Akiko Hayakawa (Nobuko Miyamoto) his producer whom he has feelings for. Once inside they find that all the rumors are horribly true as a terrible incident decades earlier has left a vengeful spirit lurking inside the mansion.

Film is written and directed very effectively by Kiyoshi Kurosawa. All the haunted house traditions are present with the mansion itself being a very spooky and deserted place. There is a tragic backstory to give our haunting it’s purpose and a group of individuals who refuse to believe the folklore of the house, until it’s too late. Stormy nights, grotesque phantoms and some gory deaths are presented in a very entertaining fashion with Kiyoshi Kurosawa giving us just enough time to get to know the characters before the spooks hit the fan. It even has an old gas station attendant, Yamamura (producer Jûzô Itami), to give the traditional warnings and exposition. It’s a lot of spooky and gruesome fun and the make-up effects are not only nostalgically practical, it was the 80s after all, but done by make-up effects legend Dick Smith. When we finally see Lady Mamiya’s spirit in full view, it doesn’t disappoint. There are some chills, thrills, some blood spilled and a very exciting and suspenseful climax, as our survivors face the angry spirit head-on. You even need to watch through the credits for something extra. It’s a very entertaining haunted house flick that can stand on it’s own up against flicks like Poltergeist which set a standard in the 80s. Atmospherically directed, the house setting itself is great and there is just enough humor to make it fun without offsetting the scares. Despite being a familiar tale, the movie has it’s own creepy identity and likable characters to fear for.

As those characters, we have a solid cast. Yamashiro is good as Hoshino. He’s a likable guy and avoids the arrogance most characters like this carry. His intentions are good. Popstar Nokko is endearing as Hoshino’s teen daughter Emi. She’s rebellious, though not annoying and serves as a damsel in distress in the final act. Nobuko Miyamoto is widower Hoshino’s producer. A pretty woman he has feelings for and a strong heroine when all Hell breaks loose. Ichiro Furutachi and Fukumi Kuroda are fine in their roles, though they serve more as body count. Rounding out is producer Jûzô Itami, who is good in the classic role as Yamamura. An efficient and likable cast.

In conclusion, this flick desperately needs a blu-ray release! It was spooky, gory fun and had a likable group of characters ignoring the classic warnings to suffer the consequences. There were some great practical make-up FX from the late, great Dick Smith and a very creepy house where it’s paranormal action takes place. A very solid and old fashioned haunted house flick from Japan.

-MonsterZero NJ

3 and 1/2 (out of 4) spooks

 

 

 

 

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