HELL OF A NIGHT (2019)
Low budget indie flick opens with a Ouija game being played at a remote cabin by two young girls (Kaylee King and Tori Carew) and of course, it goes predictably awry. Two years later pretty co-ed Blake (Rachael Hevrin) rents that same remote cabin to get away from it all. Unknown to the Blake, she’s not alone in her spooky getaway spot, add to that the house Blake recently moved into with her mother (Deborah Kay Hooker) and sister Shaine (Grace Powell) is supposedly haunted, too and Shaine is alone there! Poor Blake is surrounded by danger from both within and without, as not only is there a presence inside the cabin, but someone close to her is not what they pretend to be. This girl has no luck!
Flick is written and directed by Brian Childs, who makes a good effort and seems to have a love for this type of movie. He gets the camera angles and mood right on a technical level, and while he overuses the colored lighting that is currently popular with filmmakers, he does accomplish some spooky moments. Leading lady Rachael Hevrin is very pretty and has a really nice girl-next-door presence, which makes her a good final girl. It was also interesting that Childs sets up double trouble for his heroine as there is definitely a dangerous supernatural element here and a threat from the real world, as so-called “friends” conspire against her. Drawbacks are, the dialogue scenes are a little flat, some of the paranormal stuff is very familiar and did we need both locations to be haunted AND having a plot convenience that has the hauntings collide at Blake’s rental? Also, the ghost in the opening Ouija scene is a male named Raymond, so why is the spirit stalking Blake an axe wielding woman?…and if it’s a ghost, why does she have corporeal attributes like being injured, or bleeding when Blake fights back? Was she actually a living person and I missed something? She’s billed as “Blood Splattered Ghost” in the credits. Anyway, it gets a bit convoluted and some of the conveniences are bit of a stretch. Did we need two hauntings and a betrayal? A rookie director adding a few too many elements in his supernatural soup, perhaps? Also, the real world threat looming in the shadows for Blake isn’t as convincingly as it should be. Blake doesn’t seem like a stupid girl and is quite resilient, so would she be that oblivious to the true nature of her “friend” Chloe (Ella Taylor)?
Overall, it’s still a decent effort from a first time feature filmmaker. And Childs could deliver solidly once he gets more experience under his belt and reigns in his stories somewhat. We do get a leading lady who does make an impression as the flick’s final girl and who we want to see more of. Cool to see filmmakers getting their flicks made!