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It is the fate of glass to break-tattoo on the back of lead Allison’s neck
Latest film from Anthony DiBlasi (Last Shift, Most Likely to Die) finds emotionally troubled Allison (Dana Christina) wanting to free herself from her childhood traumas and face her fears. She turns to an extreme haunt called Perdition, to help her accomplish this. But will a trip through this hellish underground haunt free Allison of her demons…or unleash them?
DiBlasi directs from a script by David Bond which is based on works from Rebecca Swan. What we see unfold here is not only a story of childhood abuse and the long-term effects it has on the victim, but a filmmaker taking what could have been a routine horror flick and give it some very solid emotional depth. As the film unfolds, we follow Allison and a young man named Zachary (Dylan Sloane) as they begin their journey of torment and terror at the hands of the Perdition crew, headed by their skull-masked leader (Chad Rook). We already know Allison is troubled and on medication, but as her cruel treatment commences, we are taken in gradual flashbacks to her past and the horribly abusive treatment by her alcoholic father. Her father’s treatment in the past often echoes her current treatment in the depths of the haunt. Bond’s script peals back the layers of our unstable heroine to portray a woman who has attempted suicide, had violent impulses and now attempted to purge her issues by facing everything she fears. Perdition, of course has its own plans for her and maybe pushing her too far may not be a good idea. We also get some surprising depth into the skull-masked leader, revealing a man with his own demons and giving us an interesting portrayal of someone who might run a haunt like this. It gives the film some weight, making it more than a parade of abusive treatment and brutal violence, especially when the last act gets bloody. Diblasi guides us through a tense and brutal ride, though one with a lot to say about the types of people who frequent these haunts and those who create them…and on a deeper level, about the effects of abuse and tragedy and how it shapes someone. As the Perdition crew continually up the ante on their abusive treatment of Allison, so does Anthony Diblasi keep showing us his versatility and depth as a filmmaker. It makes Extremity all the more effective, aside from Perdition being portrayed as a very scary place, with added emotional resonance beneath the intensity and bloodshed. As it heads toward it’s shocking and brutal climactic moments, we get some last-minute reveals and surprises that are effectively shocking.
The cast are very effective. Dana Christina makes for an interesting heroine as the troubled Allison. She is both strong and fragile at the same time. She wants to handle her lifelong trauma on her own terms, and she has chosen to face her fears dead on…and Perdition has a lot to fear in store for her. As the creator and operator of Perdition, Chad Rook portrays a man who enjoys the torment and fear of others on the outside but is a three-dimensional character on the inside with his own issues and tragic history. He’s not a true villain, but a man trying to deal with his own demons. In support Dylan Sloane is solid as the meek Zachary, there to face his own weaknesses. Ashley Smith is a fine femme fatale as bad girl, Nell, one of Perdition’s top “performers” and Ami Tomite adds a little bit of a break to the tension as an over ambitious Japanese reporter there to profile Perdition’s operation. A solid cast.
This is Anthony Diblasi’s most interesting film yet. He’s a filmmaker that has yet to disappoint and another director that people should be talking more about. Extremity tells an intense, cruel and sometimes brutal tale on the outside, while on the inside telling a bluntly honest story about abuse, tragedy and how they shape the recipients. A tough and intense film at times, but like it’s heroine, one that faces some serious subjects head on.
Rated 3 and 1/2 (out of 4) skulls.
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