(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)
Sword and sorcery flick from Italian horror maestro Lucio Fulci tells the story of Illias (Andrea Occhipinti) who travels to a dangerous land as part of a coming of age ritual. With only a magic bow, he enters a dark land ruled by witch Ocron (Sabrina Siani). Along the way he meets warrior Mace (Jorge Rivero) and the two team up to try to defeat Ocron, who has set her sights on Illias and his bow.
Directed by Fulci from a script and story by four people, no less, there is actually very little plot here considering all that collaborated on it. Like most of Fulci’s flicks it is atmospheric and there is plenty of his trademarked gore, but it’s hard to get involved in something which has so little story to get involved in. Illias, at first, has no real goals entering this dark land and only finds a purpose once he sees the effects of Ocron’s influence and becomes a target of she and her werewolf-like minions. Visually the flick appears to be filmed entirely through smoke and a gauze filter, though Fulci’s visual style still comes through even with minimal sets and costumes. No better example than Ocron herself who is a beautiful nude woman who wears a spooky gold mask and seems to have a snake fetish. Sexy and creepy! The gore FX are solid as in all Fulci films, but the animation effects, and creature costumes are cheap and cheesy. Frequent Dario Argento collaborator and Goblin keyboardist Claudio Simonetti provides the music and Alejandro Ulloa provides the murky cinematography. The cast are all fairly wooden, with only Jorge Rivero adding some life to the roguish Mace and Sabrina Siani’s natural charms making for a visually tantalizing villain.
With a career of mostly horror flicks this was an unusual project choice for Fulci. The film has a lot of his trademarked elements, but suffers from having what barely qualifies as a plot. The costumes and sets are minimal and the non-gore FX are cheesy at best. The acting is also sub-par and the film oddly switches focus from Illias to Mace in the last act, which negates any interest we might have had in the young lad’s quest. The film is still watchable and there are some things to enjoy, but it is another sign of the legendary director running out of gas after delivering so many classics just a few years earlier.
Beautiful Italian actress Sabrina Siani, sans creepy mask.
Rated 2 and 1/2 arrows from a bow far more magical than the film it’s in.