GET OUT (2017)
(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)
Get Out is another movie surround by massive hype that it does’t really live up to, but is certainly worth seeing. The film tells of young black man, Chris (Daniel Kaluuya) going up to a wealthy white community to meet the parents (Bradley Whitford and Catherine Keener) of his white girlfriend, Rose (Allison Williams). Chris immediately starts to feel something is wrong, as her parents are a little too eager to see him and appear open-minded to him. Worse still, the only black people he encounters are behaving quite strangely and the neighbors are a bit “off” to say the least. The longer he stays, the more he comes to believe something sinister is going on and he might be in danger if he stays…but will they let him leave?
Written and directed by Jordan Peele, this is a sort of combination of Stepford Wives and Disturbing Behavior with an African-American angle added. The film is obviously filled with statements on race relations and the status of black Americans in today’s world. And important though they be, the film’s messages were a little too obvious, at times, when subtlety was working much better, such as the party scene where Chris meets the neighbors. The film works best when dealing with paranoia and Chris is not sure if this hidden threat is real or imagined. Also, the flick isn’t nearly as scary as the hype surrounding it suggests, but Peele does create some nice atmosphere and tension and there are some scenes where there are some unsettling and yet darkly humorous moments. The film stumbles a bit with some intrusive comedy bits involving Chris’ TSA friend Rod (Lil Rel Howery) and an over-the-top Franenstein-ish twist in it’s last act which dangerously borders on silly…though does work. It’s also obvious from the first scene at the house that Rose’s parents, Dean and Missy, are complete phonies, so it’s no surprise when we realize they are up to no good…and certain betrayals are also no surprise either, with that in mind. Peele still shows some strong potential, as he has a nice visual eye, constructed some spooky hallucinogenic sequences that are very effective and the last act has some impact as Chris enters in a fight for his life. There is some startling violence and the script is clever with connecting the dots from what we’ve seen during the course of the film to it’s big reveal. Not a great film, but one that works more than it doesn’t and shows that Peele has a cleverness to his writing we are interested in seeing more of.
Another thing that helps Peele is a good cast. Daniel Kaluuya makes for a down to earth, but solid hero. He is likable and seems like a genuinely nice guy. He conveys Chris’ paranoia well and even a reluctance as he is forced to act violently when thrust in a life and death situation. Catherine Keener nearly steals the show as Rose’s therapist mother. She oozes malevolence, once things get going and the sequences of her using her hypnotherapy on Chris are some of the creepiest in the film. Bradley Whitford is fine as Rose’s surgeon dad. He comes across as a bit too phony and obvious, though and his liberal banter to impress Chris comes across as exactly that and should have set alarms off right away. Allison Williams is also fine as Rose and while she doesn’t get much to do early on, she does deliver some nice malice once her true nature is revealed. Lil Rel Howery is the only character that I felt didn’t fit in. He is a little too over-the-top comic and that didn’t quite fit with the more subtly satirical nature of the rest of the film. He would be fine in an outright comedy, but his bits got in the way of the tension that was Peele was trying to build. This seemed, however, due more to directing and script than an actor doing his job. Finally, Caleb Landry Jones is suitably creepy as Rose’s brother who is a little less eager to hide his true self and is the first character to signal to Chris that he may not be as welcome here as he is led to believe.
A horror masterpiece?…no…an instant classic?…not really, but once you ignore the hype and take it for what it is, it is an interesting horror debut from Jordan Peele that isn’t perfect, but has enough that works to make it worth a watch. While Peele’s messages and social commentary can be a little too obvious at times and the film’s comic moments are a bit intrusive, a slightly satirical slant keeps the film from getting too preachy, which is in it’s favor. There is also some nice tension, an engaging climax and some really good performances especially from our leading man and Keener’s villainous therapist. It’s not nearly as scary as over-active hype would suggest, but it does have some intense and purposely uncomfortable sequences and does leave one thinking about how we are seen by and behave toward our fellow Americans. So flaws aside, this makes Jordan Peele a filmmaker to watch and Get Out a film that warrants watching as well…just don’t let the hype set standards for the film that it cannot possibly live up to.
3 deer…you’ll have to see the movie