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This 1982 Roger Corman production tells the story of android Max 404 (Don Opper, who co-wrote with James and Will Reigle). Max’s advanced programing causes him to form human emotions, but not the capability to completely control them. His creator, Dr. Daniels (Klaus Kinski) becomes wary of this and plans to destroy Max once his more advanced replacement, Cassandra (Kendra Kirchner) is activated. When three fugitives, including a woman (Norbert Weisser, Crofton Hardester and Brie Howard) come aboard their isolated space station, it gives Dr, Daniels a female test subject to finish Cassandra and Max an infatuation that may send he and his newfound emotions over the edge…dangerously over the edge.
Android is an entertaining diversion from the typical Corman fair, there is violence and nudity, but it is with restraint and serves the story and not for the usual exploitation purposes. Director Aaron Lipstadt directs this sci-fi Frankenstein tale with a far more sensitive hand then most Corman flicks and gives us a character story driven more by emotion than action. We feel for Max as he tries to cope with his emotions and root for him even when they drive him to do morally questionable things. And since Max is surrounded by people of questionable morals, we don’t totally blame him for his responses to the situations that Dr. Daniels and the fugitives provoke. The low budget production is made with the usual Corman thriftiness, but looks good enough to support it’s story and the FX aren’t bad. There is also a cool and very 80s electronic score by Don Preston to support the atmosphere director Lipstatdt gives the film.
Director Lipstadt gets good performances from his cast, especially Opper who portrays Max’s naivety and confusion very well and Kinski who makes a perfectly slimy and obsessed scientist. Also, Norbert Weisser’s Keller is a somewhat sympathetic bad guy while Hardester’s Mendez is a cliché bully/douchebag. And as for the ladies, Brie Howard is tough and yet sweet as Maggie and Kirchner does fine as the Bride Of Frankenstein-ish Cassandra, who turns out to be more then anyone bargined for.
Android is an interesting attempt by Corman and Co. at a sci-fi flick with a bit more substance and succeeds far more than it fails. It may be a bit slow paced and somber, but at a tight 80 minutes it’s never boring and does entertain us just fine, as well as, tell it’s story. The film was released as a midnight show in art houses to emphasize that this was something a bit more unique than New World normally produced and I had the pleasure of seeing it at such a show at NYC’s Waverly theater in Greenwich Village when it opened in 1982.
3 Max 404s.