ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS! (2015)
Great documentary about schlockmeister Cannon Films that churned out so many delightfully bad…and very entertaining B-movies during the 80s. Mark Hartley’s documentary is told through the eyes of a number of talents who worked for Cannon during their existence from both behind and in front of the camera. We get a real good look at the inside of the studio founded by Israeli cousins Menahem Golan and Yoram Globus and how they dreamed of taking America by storm. We hear from actors like Bo Derek, Molly Ringwald, Robert Forster and Cannon regulars Lucinda Dickey and Michael Dudikoff, who all have entertaining stories to tell about starring in some of the studios most infamous productions. We also hear what it was like to make films for them by the likes of Tobe Hooper, Sam Firstenberg and Franco Zeffirelli. We get a story of two men whose dream to be a major studio was derailed by churning out some of the shlocky-est productions during a decade renown for it’s excesses. They made a major action star out of Chuck Norris and reignited Charles Bronson’s career…although not completely in a good way. Documentary is almost as fun as some of the ‘so bad it’s good’ movies they produced under Golan and Globus between 1979 and 1985.
KNOCK KNOCK (2015)
Eli Roth’s flick is a reworking of a 1977 film called Death Game where two women (Sandra Locke and Collen Camp who are given producers credits here) terrorize a man (Seymour Cassel) over a two day period. In this update, we have architect and family man Evan Webber (Keanu Reeves) who is left home alone on Father’s Day weekend to finish some work while his wife and kids hit the beach. During a rainstorm, two beautiful young women (Ana de Armas and Lorenza Izzo) show up soaking wet at his door, claiming to be lost and wind up seducing Evan into a threesome. The following morning Evan finds his guests still there and acting quite out of control. He manages to evict them, but they return that night to take Evan hostage and begin to torment him as punishment for what he did to them, claiming they are only fifteen years-old. Viewing him as a pedophile, the psychotic women claim he must die at dawn unless he plays their twisted games.
Despite a familiar premise that could have been fun, this flick is just dull and silly as these two loonies torment Reeves’ unfaithful family man for over forty minutes. It’s not only never gripping, but really just amounts to a fairly bloodless and uninventive torture show as the two women claim that Webber needs to pay for taking advantage of underage girls like themselves. While the two actresses do have a good time going all over-the-top, neither is remotely believable for a minute at being that young, or is given any real meaty material to work with. As for Reeves, he seems very miscast here and does not seem comfortable at all with the material…and it goes beyond the character’s discomfort with being a married man in the company of two horny vixens turned psychopaths. Even had Reeves been less wooden, the film offers nothing new and doesn’t even make inventive use of the familiar tropes of this type of Fatal Attraction flick. Roth does clarify his ladies intentions in the DVD extras, but one shouldn’t need supplemental material to make things clearer. Dull and only worth watching for the generous nudity from Armas and Izzo (Mrs. Eli Roth) who are clearly having a fun time with their parts. Wish Reeves would have had more fun with his part and Roth stopped recycling his influences and gave us something more original.
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