Awful movie has spoiled brat Maya (Dylan Penn) leaving her posh digs and arguing parents to live with her musician boyfriend (Ronen Rubinstein) and some fellow squatters in an abandoned NYC tenement building…that somehow still has electricity and running water. They live amongst an assortment of unsavory characters including meth-heads, drug addicts, drug dealers and sadomasochists. Soon a virus caused by all the filth and meth maker Cookie’s (Perry Yung) toxic refuse, creates a rabies-like infection that starts to turn the squatters into vicious killers.
Watching this 28 Days Later meets Rent…without the musical numbers…is like staring into a toilet for 80+ minutes. Writer/director Eli Morgan Gesner just keeps a steady flow of filthy imagery, deviant behavior and then over-the-top gory violence for pretty much the entire film and that might have been fine if there was any wit or cleverness to it. There isn’t and it’s just a parade of how gross can we be for 83 minutes without any suspense, tension or even fun…and if you’re looking for a point or message, you’re wasting your time. The acting and dialog is equally terrible though the make-up FX aren’t bad. You’ll want to take a shower after watching this, if you can get through it, and not in a good way. Only if you must.
THE INTERN (2015)
Sappy and overly sentimental flick has retired widower Ben Whittaker (Robert De Niro) wanting to get back out in the world and applying for a senior citizen internship at a fast growing e-commerce fashion company. The company is run by multi-tasking entrepreneur Jules Ostin (Anne Hathaway) who reluctantly takes on Ben as her personal intern. Soon not only does Ben start to brighten things up around the office but his bonding with Jules helps her get her personal life into perspective, too.
On the positive side, this flick is completely harmless and is actually well acted by it’s leads. Otherwise, it’s also over two hours of complete schmaltz, that is so contrived by writer/director Nancy Meyers, that it seems almost as much a fantasy as say, The Lord Of The Rings. Not that a senior citizen couldn’t excel in an internship at such a company surrounded by hipsters without a clue, but the whole solving all of Jules’ problems both business and personal…including somehow saving her failing marriage…is just a bit much. All De Niro’s Ben needed was a magic wand and some fairy dust. The film never even tries to exist in the real world, especially when it comes to Jules all too accepting attitude toward her husband’s (Anders Holm) unfaithfulness. It’s like she blames herself for being a busy businesswoman and chasing him away. Really? What is the message THERE? Add to that, some of Hathaway and De Niro’s scenes together came off as very uncomfortable. Was there supposed to be a hint of something more between the 70-ish Ben and the thirty-something Jules? Nothing happens, but at times it seemed like it was on the verge as they just seemed a bit too chummy despite Ben’s interest in company masseuse Fiona, played by the more age appropriate Rene Russo. Regardless, after the over two hour running time you basically sit there asking yourself…what was that supposed to really be about?…and what was the point?