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Okay British horror has a young train guard (Ed Speleers) presiding over a late night passenger train heading out of London on a stormy night. While traveling through some dense woodland, a minor accident strands the train and it’s small group of passengers and crew, in the middle of nowhere. Being stuck in the woods is the least of their problems, as they soon find themselves stalked by some kind of vicious and hungry predator, one only heard of in fairy tales…and horror movies.
Despite the simple premise, this werewolf flick has four writers attached, including Neil Marshall (The Descent, Doomsday, Game Of Thrones). But, it’s veteran special make-up effects man turned director, Paul Hyett that lets us down somewhat, as he fails to give the film any real intensity or suspense. The film does have some atmosphere, but with a savage beast lurking just outside the train cars, you’d think we’d be feeling a lot more dread or tension. The film is directed very by-the-numbers and is a bit too slow paced for it’s own good. The cast of stereotypical characters are all very bland, too, so we never really get endeared to anyone and our strongest reaction is to the wolves themselves and in hating selfish douchebag, Adrian (Eliot Cowan), who is the standard ‘sacrifice others to save himself’ character. Not to mention commonsense things like, don’t they keep track of their trains in England and so, therefor, why doesn’t anyone at HQ notice one of it’s trains has stopped in the middle of nowhere. The good points are that the werewolves are not only interestingly designed but well-rendered and look pretty cool onscreen. They make an impression and Hyett does give their attack sequences some ferociousness and there is plentiful, top-notch gore to represent their carnage. It’s a shame Hyett couldn’t keep the intensity going as the werewolf scenes succeed in what they set out to, but then the film settles back down into it’s less impressive motions until the next one, or till the moderately involving but predictable climax. There is some moody cinematography by Adam Biddle and an appropriate score by Paul E. Francis, but it doesn’t elevate this film above the mediocre flick it is.
In conclusion, the movie wasn’t terrible, just not nearly as involving as it should have been considering the setting of isolation and what’s lurking about. The werewolf scenes worked very well and had a viciousness to them, yet the scenes in-between were flat and concerned un-involving, common stereotype characters. The make-up and gore effects were top notch and the scenario itself was suitable for a fright flick had director Paul Hyett been better at managing the scares and intensity. Worth a look if you like werewolf flicks, but don’t expect another Dog Soldiers or Late Phases. Also stars Shauna Macdonald from The Descent and Sean Pertwee from Doomsday and ironically, the far superior Dog Soldiers.