Neil Blomkamp’s third feature, co-written by Terri Tatchell is entertaining enough, but the originality that made his District 9 so enjoyable and even his lesser effort Elysium entertaining, is substituted for a Short Circuit meets Robocop mash-up that has heart, but a severely cloned one. Movie tells the story of a very near future Johannesburg, which is plagued by crime and is patrolled by robot police officers. When one of those is damaged, it’s maker (Dev Patel) uses it to experiment with an artificial intelligence and the robot dubbed “Chappie” becomes self-aware. Add to it that, Chappie has been taken by a street gang to be used in criminal activities, gives the child-like robot some very conflicting emotions to sort through as he tries to learn right from wrong. There are some fun moments in the film, but it is far too familiar to embrace completely with some scenes lifted directly from Verhoeven’s Robocop including Chappie’s battle with a large battle drone. It also has some severe tonal shifts as it is on a children’s film level one minute and spattering the screen with bloody violence the next. I wanted to like this more, but Blomkamp recycles too much and resorts to clichés too often. Also stars Sigourney Weaver, Hugh Jackman and Blomkamp regular Sharlto Copley as the voice and movements of Chappie. FX are top notch as always in Blomkamp’s films.
BLACK WATER VAMPIRE (2014)
Flick is a shameless rip-off of The Blair Witch Project substituting the witch for a vampire-like creature. Film has amateur filmmaker Danielle (Danielle Lozeau) wanting to investigate and make a documentary about a series of killings of young women that take place once every ten years in the woods surrounding the rural town of Black Water, WA. In each case the victim is left with large bite wounds and a complete loss of blood. Danielle and her crew (Andrea Monier, Robin Steffen and Anthony Fanelli) enter the woods and obviously, find far more than they bargained for. Written and directed by Evan Tramel, this found footage horror rips-off scenes directly from the previously mentioned Blair Witch, [REC] and even a bit of The Last Exorcism and doesn’t even do it with any style or inventiveness, so you cut the flick some slack. The acting and dialog are sub-par and the few effective scenes it has don’t make-up up for the laziness of everything else. Creature looked cool, I’ll give it that.
THE DAMNED (2013)
By-the-numbers and dull supernatural horror has a group of people in rural Bogota, Columbia getting into a car accident during a bad storm and finding refuge in an old, closed-down hotel. Once there, they are greeted by a very odd man (Gustavo Angarita) and soon find he has a little girl locked up in the cellar. Against his protests, they free her only to find out she has been locked up for almost 40 years and is possessed by a vengeful witch who has the power to take over people’s bodies. Directed by Victor Garcia and written by Richard D’Ovido, this is a very routine possession/supernatural horror that does nothing new with it’s oft told tale of possession, revenge and murder. The FX are fine and location atmospheric, but the execution is very mundane and the cast, except for Brit cutie Sophia Myles, are equally dull. A few moments here and there, but very formula and very predictable. Also stars Nathalia Ramos and Peter Facinelli.
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