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We Are Still Here is a supernatural indie horror that serves up some nice chills and surprisingly generous gore, though not quite living up to the internet hype that preceded it…but then again, little ever does.

Story finds older couple Paul and Anne Sacchetti (Andrew Sensenig and Barbara Crampton) moving from the city up to the small rural town of Aylesbury to escape the painful specter of their son Bobby’s recent death. They move into a secluded old house and immediately Anne starts to see and hear things and senses a presence she wants to believe is Bobby. Paul is skeptical and it only gets worse when a neighbor, Dave (Monte Markham) shows up and tells them that the house was a former mortuary and the owners were run out of town for selling the bodies and burying empty coffins. Paul is even slipped a note from the neighbor’s wife telling him “The house needs a family” and to “get out”. To get to the bottom of things, the couple invite their friends over, a hippie couple May and Jacob (Lisa Marie and Larry Fessenden) who have an interest in the paranormal. They come to believe there is a dark presence in the house and they are surrounded by death. What they don’t know is, that the dark presence was awakened long ago when the house was built and every thirty years must be appeased with the sacrifice of a family, or it’s darkness and death will spread from the house to infect the entire town. Is it too late for the Sacchettis and friends to escape…and will they be allowed to leave?

Horror flick is written and directed by Ted Geoghegan and supposedly inspired by the works of the late, great Lucio Fulci. Geoghegan certainly has the gore part down, as the film gets graphically bloody at times and does have a visual style that is atmospheric and effective. He also does provide a lot of chills and spookiness throughout and the flick is loaded with atmosphere. Geoghegan uses the familiar tropes of the small town with a dark secret, well and there are some extremely gruesome deaths, especially during the blood-spattered finale. So what holds this flick back a bit? First thing is there is a seance/possession sequence with Sensenig and Fessenden, it should be a major scene, but the sequence itself comes off a little clumsy and gets borderline silly. Part of the reason is that filmmaker Fessenden is not a seasoned performer…despite numerous small roles in his fellow filmmaker’s productions…and the scene needed someone with stronger acting chops to really pull it off. It’s not as convincing as it needs to be. The next thing is the gore-soaked final act. It certainly was fun, but it’s not as spooky as the more subtle things that come before it. Everything is out in the open and the blood and organs are flying, but it’s not as atmospheric as when Geoghegan kept things in the shadows with lurking figures and only hinted at the malevolence that surrounded the family. When his vengeful specters are in plain sight ripping people apart, it becomes something more outwardly visceral and less deeply bone-chilling. There is also some shaky dialogue spoken, especially during that sceance/possession scene, as well as, a few of the exposition scenes that weakens their effectiveness. That and if Dave wants the family to stay, why does he keep telling them unsettling stories about the house? Doesn’t make sense.

Technically, this low budget film looks good and the make-up effects by Oddtopsy FX are really well-rendered in presenting our dark spirits and their carnage. There is some very atmospheric cinematography of the New York State locations by Karim Hussain and a fitting score by Wojciech Golczewski (Late Phases). For a low budget flick, production value is top notch.

The cast work well here, for the most part. It’s great to see Barbara Crampton on screen again and she plays the grieving Mrs. Sacchetti very well. We like Anne and she is our emotional anchor for the story. Andrew Sensenig is adequate as her skeptical husband, but his Paul seemed a little bland at times. The character could have used some warmth to make him more accessible. Lisa Marie is a little off as May, but since the character is a bit eccentric to begin with, that may have been intentional and seems to fit the amateur medium. Larry Fessenden is actually amusing as the stoner Jacob and it is only in the seance sequence where his limited range hindered the effectiveness. TV and film vet Monte Markham is solid as neighbor Dave whose knows the truth and has his own agenda. He is our human villain of the flick and makes a good bad guy. There is some weak acting from some of the supporting actors, but it’s not enough to hurt the proceeding to any degree.

Overall, I liked this flick and give it a recommend. It has some really good atmosphere, provides some solid chills and splatters the gore and guts generously, when needed. It has some flaws that keep it from really firing on all cylinders, but it still works very well and certainly is effective enough to make it worth checking out. A solid enough indie horror that shows we may see some interesting things yet from Ted Geoghegan.

-MonsterZero NJ

3 scary specters.

we are still here rating







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