HORROR YOU MIGHT HAVE MISSED: ZOMBEAVERS (2014)

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ZOMBEAVERS (2014)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Horror/comedy opens with a couple of bumbling truckers hitting a deer causing one of the containers of toxic waste they are carrying to fall off the truck and into a nearby lake. The container has sprung a leak and floats up against a beaver dam. Our title creatures are born! Three cuties Jenn (Lexi Atkins), Mary (Rachel Melvin) and Zoe (Cortney Palm) arrive at the same time at a lakeside cabin for some fun girl time and soon are under siege by zombified beavers and a surprise visit from their boyfriends. Not only are the zombeavers out for flesh, but, their bite turns their victims into zombeaver-like creatures, as well. Will any of them make it out alive?

Zombeavers is a fun 85 minutes that may not be a modern classic but, is a bloody good time. Directed by Jordan Rubin, who co-wrote with Al and Jon Kaplan, there is a well blended mix of horror and laughs and while it never really goes quite as over-the-top as we would have liked, it does provide a decent quota of entertainment. There is, of course, a generous supply of beaver double-entendres and beaver clichés to go with the plentiful gore, intentionally cheesy creatures and delightful nudity from the tattooed Miss Palm. It rolls out the horror tropes as we would expect and has a good time turning cast members…and other forest life…into it’s zombie beaver creatures to go along with it’s zombie beavers. The film is shot well by Jonathan Hall and co-scripters Al and Jon Kaplan also provide an appropriate score. Again, not a classic but, a fun effort that succeeds far more than it fails and even gives us a surprising shift in who our final girl turns out to be. Rubin and the Kaplans know their material and seem to have a genuine affection for it that translates onscreen.

The cast are all fine and get the material perfectly. The girls Atkins, Melvin and Palm are suitably, very good-looking and have fun with their parts. As mentioned, lovely Cortney Palm is not afraid to shed her bikini top but, actually might surprise you when things get going and the fight for their lives begins. The girls are joined by Jake Weary, Hutch Dano and Peter Gilroy as their boyfriends and the lads perform with a mix of seriousness and a wink, just like the ladies. There are some supporting characters that play locals, too and they are equally fun in their parts. A very efficient cast for a low budget horror spoof.

What can I say, this was fun. Director Rubin mixes the horror elements with the comedy very well…which isn’t easy…as does the script. It could have been a bit more clever or funny at times but, is far more successful at what it’s trying to do then you might expect. It delivers enough beaver jokes, zombie beavers and spattering blood to satisfy and gives us three likable and very adorable heroines to root for and crush on. What else would you want from a movie called Zombeavers?… oh, and stay through the credits.

-MonsterZero NJ

3 zombeaver besieged babes.

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REVIEW: WHIPLASH (2014)

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WHIPLASH (2014)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Intense drama finds aspiring jazz drummer Andrew Neiman (Miles Teller) in his first year at the Shaffer Conservatory where he strives to be one of the all-time greats like his idol, Buddy Rich. While practicing one night, he catches the ear of renown instructor Terence Fletcher (J.K. Simmons) who is tyrannical and sometimes outright cruel to his students. Invited to join Fletcher’s band, Andrew sees this as the opportunity of a lifetime. Nothing can prepare the young musician, though, for the brutal and humiliating treatment he is about to receive under Fletcher’s tutelage and as Neiman pushes himself to meet the harsh instructor’s demands of perfection, he dangerously straddles the line between hitting the mark and going over the edge.

The whole reason to watch this flick is two dynamic performances from it’s lead actors. Teller, who I’ve never been a big fan of, is excellent as Neiman and J.K. Simmons, who I have always liked, is an absolute powerhouse as Fletcher. These two actors really ignite the screen and have a great chemistry together, especially when they are at odds. Veteran Simmons gives us an explosive tour de force as a man who is a complete dictator one minute and then someone who may truly have his students’ best interests in mind, the next. We see glimpses of a soul and then the monster returns with the blink of an eye. He is remarkable. Teller is a young man with talent and a dream and he gives us a strong performance as an ambitious man with eyes on being the best, who is unprepared for the difficult road ahead in the form of Fletcher. Even Glee’s Melissa Benoist is also very good in a supporting role as Andrew’s love interest. She gives this smaller role some nice heart in her few scenes.

As directed by Damien Chazelle, who also wrote the screenplay based on personal experiences, the film is a high energy, high intensity powder keg waiting to explode…and explode it does. The scenes of Fletcher torturously pushing Neiman crackle with a brutal intensity and you find yourself sweating as much as the characters are. It makes us question the difference between pushing someone to achieve beyond their limits, or just being cruel and abusive. Fletcher claims that he is trying to inspire, yet is he just using that as an excuse to be cruel? This is something we constantly find ourselves questioning and the film gives us reason to believe their may be a heart in Fletcher’s chest, but then also reason to question his sincerity. It keeps us very on edge. While I may not have been totally sold on the events leading up to the powerful finale, it brings this war of wills to an appropriately breathtaking conclusion and one you may not expect.

All is not perfect in Chazelle’s drama as my line above implies… be warned, there are a few SPOILERS here…

First off, it’s hard to believe, in today’s lawsuit happy environment that a teacher as abusive as Fletcher would have gotten this far, especially with the inappropriate language, racist comments and mean-spirited personal things he says to his students…though Chazelle does claim this is based on a real person, I doubt they were this cruel and brutal. While this does come into play here, again, it’s hard to believe he would have gotten this far with no one holding him accountable. Two thirds of the way in, the story takes a turn with such actions and it removes both characters from the school and finds them butting heads again at Jazz festival. It only sets Andrew up to be humiliated by Fletcher, once more, though payback is a bitch and it is a delight to see how it plays out. I also will admit, it’s a little hard to swallow that after all Fletcher put him through, Andrew would be so easily convinced by Fletcher himself, to join his band…again. The events that lead to Andrew leaving Shaffer is also a bit of a contrived act of fate, as is his involvement in Fletcher’s dismissal. Finally, when Andrew is promoted by Fletcher to core drummer, during his time at Shaffer, his change to arrogant douche is way too fast and doesn’t sit right as he appears to be a likable guy with a heart, otherwise. The transformation is a bit too quick.

…END SPOILERS. 

Overall, even with some questionable story elements, this is an intense drama with a fiery battle between two characters that are superbly acted. Teller and Simmons are amazing to watch and their chemistry in their scenes together is magical. I really enjoyed this flick a lot, even with what I perceived as some story flaws that Fletcher himself may not have tolerated had he been sitting behind Damien Chazelle, while in production. Chazelle though is a good director and while we have yet to see if he can direct as well with a story not so personally close to him, I am eager to find out. A very enjoyable and sometimes brutally intense drama about aspiring to one’s dreams and maybe being pushed too far to achieve them. By the time the credits roll, you may be also be surprised by Chazelle’s answer to some of the questions the story has us asking ourselves.

-MonsterZero NJ

  3 and 1/2 drum kits.

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BARE BONES: 24 EXPOSURES, KILL ME THREE TIMES and THE INTRUDERS

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24 EXPOSURES (2013)

Odd and unsatisfying thriller has a troubled police detective (Simon Barrett) investigating a series of murders and questioning a fetish photographer (Adam Wingard who directed The Guest) who worked with a couple of the victims. The two form an odd bond as the investigation continues. Yea…that’s kinda it. I found this thriller rather pointless and dull. Writer/director Joe Swanberg seems more interested in giving his fellow director buddy Wingard opportunities to make-out with and enact sex scenes with multiple women than he is in actually telling a story. Ironically, when Barett’s cop character tries to sell his experiences as a book, he’s told that the characters and story aren’t compelling enough and there are too many loose ends…kinda like this movie. Also, instead of patting each other on the back by giving each other acting roles, this pack of filmmaker buddies should keep egos in check and hire real actors…just a suggestion.

2 star rating

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KILL ME THREE TIMES (2014)

Another Tarantino wannabe thriller that has a hip soundtrack, spurts of graphic violence and a story told out of sequence with dark humor. This time the wannabes are writer James McFarland and Aussie director Kriv Stenders. They deliver the story of hired killer Charlie Wolf (Simon Pegg) who is being payed by a ruthless husband (Callan Mulvey) to murder his cheating wife, Alice (Alice Braga). Unknown to Charlie, a conniving couple (Theresa Palmer and Sullivan Stapleton) are planning to kill her, too, in an insurance fraud plot…but Alice has other ideas. Add in a dirty cop (Bryan Brown) and a lovesick mechanic (Luke Hemsworth) and things get complicated and bloody fast. Flick isn’t terrible, it’s just that it’s style is so familiar at this point and a good deal of it is predictable because so many have already tried to be the next Quentin Tarantino and we know what to expect. Pegg seems to be having fun in more of a tough guy role, but the proceedings in flicks like this have just become so passé and it never reaches the cleverness or the manic energy of the filmmaker whose work is being emulated. OK at best.

2 and 1-2 star rating

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THE INTRUDERS (2015)

The Intruders is a completely derivative and familiar story of a emotionally troubled girl named Rose (Miranda Cosgrove) who moves into an apparently haunted house that wants something from her. Obviously her recently widowed father (Donal Logue) thinks it’s all in her troubled head and no one believes her that something may be in the house with them. So, she begins to investigate. Add in alleged disappearances and suspicious neighbors and you know where this is going. Thriller isn’t badly directed, as by Adam Massey, it’s just that Jason Juravic’s script is loaded with been-there-done-that. The only thing that elevated this for me out of the incredibly familiar and mundane material was that Cosgrove is actually quite good, despite being surrounded by clichés. In a much better film, the former Disney Channel actress could be quite an impressive final girl. Also stars Tom Sizemore as the suspicious neighbor and Austin Butler as the stereotypical nice guy hunk with a soft spot for pretty, damaged girls. Up to you.

2 and 1-2 star rating

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 -MonsterZero NJ
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WEEKEND BOX OFFICE ESTIMATES MAY 15-17

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Complete estimates are in for the weekend box office!

1. “Pitch Perfect 2” $70.3 Million

2. “Mad Max: Fury Road” $44.4 Million

3. “Avengers: Age Of Ultron” $38.8 Million

4. “Hot Pursuit” $5.78 Million

5. “Paul Blart: Mall Cop 2” $3.6 Million

6. “Furious 7” $3.6 Million

7. “The Age Of Adeline” $3.2 Million

8. “Home” $2.7 Million

9. “Ex Machina” $2.1 Million

10. “Far From The Madding Crowd” $1.3 million

source: Box Office Mojo

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REVIEW: MAD MAX: FURY ROAD (2015)

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MAD MAX: FURY ROAD (2015)

I was having mixed feelings about this reboot of the classic Mad Max series, about halfway through, until the last act when George Miller cranks it up to 11 and delivers an opera of chaos and carnage to match…or maybe even outdo…the finish of his classic The Road Warrior.

Fury Road takes place years after the world has collapsed and finds ex-cop Max Rockatansky (Tom Hardy), a samurai-like loner wandering the wasteland, taken prisoner and brought to desert oasis of The Citadel by the forces of the tyrannical Immortan Joe (Hugh Keays-Byrne, the Toecutter from the original Mad Max). At the same time, one of Joe’s top imperators, Furiosa (Charlize Theron) rebels and takes Joe’s wives/breeders out of The Citadel in a massive war rig. War parties are sent in pursuit with Max reluctantly brought along. Now Max must find a way to escape in the middle of a high speed road war and choose a side if he hopes to survive…but either side might want him dead.

Any reservations I was having from George Miller’s return to this classic character after 30 years was because the co-writer (with Brendan McCarthy and Nico Lathouris) and director is a little too eager to get things moving at first and starts his epic chase saga in motion when we could have spent a bit more time in the Citadel, getting to know our villain better and understand more clearly why Furiosa is willing to throw everything away to escape with Joe’s prized possessions. We also need to get reacquainted with Max, as this is a new version of the classic character with a new actor’s interpretation. Instead I was left a bit cold and emotionally detached till we start to get some character and story development while on the road and on the run. Even still, by the time the credits roll, we realize there wasn’t all that much of a story anyway…and the earlier films indeed had a story to tell amongst the carnage. What we do get, thought, is almost two hours of some of the most incredible and energetic stunts and action since Miller first grabbed us by the throat with The Road Warrior…and no matter what we see in the first two thirds, it’s nothing compared to the jaw-dropping demolition derby that he makes his last act finale. The stunts and crashes are absolutely amazing and Miller has not lost his touch filming them. You’d think he would have run out of innovative ideas by now…but he hasn’t lost a beat. The film is also a stunning visual feast and John Seale’s cinematography is sumptuous as is the shot composition by Miller. The film is simply amazing to look at. The score by Junkie XL is both pulse pounding and melodic depending on the mood of the scene and production design on all fronts is spectacular. The film is as epic in scope as the action within it. Best of all, there are some subtle nods to the original series that should delight long-time fans and the film returns to a harder edge after the PG-13 Beyond Thunderdome.

Miller has also assembled a fine cast of actors to portray the eccentric and oddball characters that populate his post-apocalyptic world. There is no better choice to pick up the mantle of Max than Tom Hardy. Hardy’s ex-cop is more of a man of few words than Gibson’s portrayal and he conveys the essence of a man who is hardened, dangerous, yet, with a glimmer of humanity left buried deep inside. Max’s past is a bit vague for those who aren’t familiar, but we do see glimpses of flashbacks where loved ones were lost. Charlize Theron is also a strong and determined warrior as the mechanical-armed Furiosa. She is tough and dangerous and like Max, still has a touch of humanity left. Keays-Byrne makes a sleazy and omnipotent tyrannical warlord, though I wish we had a bit more time to really get to know how awful he is to give him more intensity. The actor is delightfully over-the-top, but most of the time is just staring angrily from behind the wheel of an oversized vehicle and doesn’t have any of the memorable lines his Toe Cutter or even Lord Humongous had. Even his thugs aren’t anywhere near as memorable as Vernon Wells’ Wez. Nicholas Hoult rounds out the main cast and is over-the-top fun as one of Joe’s War Boys, Nux, who winds up joining Max and Furiosa on their quest. The girls playing the wives (including  Rosie Huntington-Whiteley) are all pretty, but get little to do and there is also a cast of hundreds of extras to add to the film’s epic feel.

So, as a fan of this classic film series…and one of my favorite movie characters in Mad Max…this movie won me over and then nearly blasted me out of my seat with it’s final third. Sure, I wish there had been a bit more of a story and I do wish there was more character development so I was more emotionally invested by the time the action started. But Miller gives us some amazing action and it’s wrapped in a stunning visual feast and no matter how intense the action gets, it is nothing compared to the massive chase that finishes things out. Hardy makes a fine choice for the new Max…though it took about a half hour to warm up to him in the role…and Charlize Theron proves yet again that there is a versatile actress beneath that beautiful exterior. And what Mad Max fan wouldn’t want to see Keays-Byrne in action again, even if his character could have been stronger. Maybe not quite the masterpiece I had hoped for, but it can proudly sit among the previous installments and delivered some of the best chase action since…well, The Road Warrior.

-MonsterZero NJ

3 and 1/2 Mad Maxes…Hardy style.

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HORROR YOU MIGHT HAVE MISSED: EXTRATERRESTRIAL (2014)

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EXTRATERRESTRIAL (2014)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Written and directed by the Vicious Brothers (Grave Encounters), this flick is a fun homage to cabin in the woods horrors, alien abduction flicks and has a delightfully 80s horror movie feel to it.

Story opens with a woman (Ginger Snaps’ Emily Perkins) running hysterically to a closing gas station and begging for help. Turned away by an obnoxious clerk, she runs to the phone booth where both she and the booth are snatched up into the sky before she can complete her 911 call. We then cut to pretty April (Brittany Allen) who is going with friends to her family’s soon-to-be-sold remote cabin for a weekend stay to take pictures for the realtor…and do a bit of partying. Once there, they witness an object crash into the woods and upon investigating, discover a disc-like craft and some very inhuman footprints. Back at the cabin, they have a terrifying encounter with the occupant and the creature is shot and falls into the pool, presumed dead. Now they are being hunted by otherworldly beings and according to local pot grower/conspiracy theorist Travis (a fun Michael Ironside), they have broken a treaty between the extraterrestrials and the U.S. Government and the aliens will find them and make them pay. Is there any escape for them?

I had a very good time with this flick and found it a really fun homage to a number of favorite types of horror. The Vicious Brothers script pays tribute to not only alien abduction themed chillers, but to the old remote cabin scenario, and maybe even a touch of Friday The 13th, too. Under their direction, the film has a distinctly 80s vibe and is quite colorful and loaded with spooky action and impressive FX sequences. The filmmakers also proudly incorporate far too many clichés to be anything, but an intentional homage…and as such, it’s a lot of fun. The film has some intense scenes…especially in the last act…but is more of an outright sci-fi/monster flick and is a very entertaining one at that. There are some top notch visual and make-up FX to portray our creatures, as well as, their ships and abilities, and a fun and surprising amount of gore to illustrate their carnage. The movie has an 80s look as filmed by Samy Inayeh and a really effective score by the Canadian band Blitz//Berlin. Maybe not an altogether original movie, but it used the traditional elements wisely and mixed the homages very well.

The cast are all fine and play their roles effectively. Brittany Allen makes a good heroine with her resilient and strong April. Freddie Stroma is likable as April’s loving boyfriend, Kyle. Melanie Papalia plays cute, loyal friend Melanie. Jesse Moss is appropriately grating as party animal Seth…the “Hudson” of the group. Anja Savcic is pretty, but doesn’t get to do much, as Seth’s girlfriend Lex and Gil Bellows is solid as the local sheriff with a personal interest in what is going on. As for the genre familiar guest stars, Perkins is good as the hysterical mom who’s lost her husband and child to the visitors and Ironside is a hoot in a lighter role than we are used to seeing him, as the stoner/conspiracy theorist Travis. A solid cast.

I think this is a very fun movie. Some may criticize the film for using far too many familiar elements, but in my opinion, they are paraded out proudly and far too often to be anything but an intentional homage. It has some intense action, top notch SPFX, a great 80s horror vibe and a last scene that is not only disturbing, but a deviously amusing nod to a classic TV show that I won’t spoil. It’s not anything we haven’t seen before, but it uses the clichés well and in a very entertaining manner and every now and then splashes the screen with some fun gore. The Vicious Brothers…like with Grave Encounters…know we are familiar with a lot of the tropes and just have a good time with them without the pretension of pretending they are showing us something new. It’s a really fun and possibly underrated sci-fi/horror.

-MonsterZero NJ

3 and 1/2… well…you know.

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BARE BONES: OTIS, SUMMER’S MOON and THIRD PERSON

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OTIS (2008)

Otis is another of the contemporary trend of trying to be hip by mixing a disturbing subject with off-color and sometimes inappropriate humor. The effect here is just dull, off-putting and silly. Flick tells of serial killer Otis Broth (Bostin Christopher) who is a disturbed man-child loosely watched over by his older brother Elmo (Kevin Pollack) and living in his dead parents’ house. He delights in kidnapping girls who he all re-names Kim, keeps them prisoner as part of a girlfriend/prom scenario then eventually kills and dismembers them. When he kidnaps pretty Riley (Ashley Johnson) he messes with the wrong family. Directed by Tony Krantz and written by Erik Jendresen and Thomas Schnauz, the film is never disturbing enough to be chilling and not funny enough to be…well, funny. The humor is sophomoric and sometimes just silly and it’s attempts to be shocking fall flat too. Only partial saving grace is a very charming and spunky performance by Johnson (the waitress from The Avengers) as his fifth abductee whose vengeful parents (Daniel Stern and Illeana Douglas) ineptly try to take matters into their own hands when police prove incompetent. I know this flick has it’s fans but, aside from liking Johnson’s resilient Riley, I was just bored.

2 star rating

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SUMMER’S MOON (SUMMER’S BLOOD) (2009)

Despite a good turn by Ashley Greene and a disturbing portrayal by the reliable Stephen McHattie, this is just an epic fail. Greene plays Summer, a young woman who runs away from her drunken mother to find the father she’s never met and winds up the prisoner of a disturbed young man (Peter Mooney) and his mom (Barbara Niven). Three guesses who the patriarch of the house (McHattie) turns out to be. Film is just kind of a mess with none of it seeming to have much purpose and far too many preposterous conveniences occurring to carry the plot forward or be shocking. Director Lee Demarbre helms this very by-the-numbers and with little atmosphere and the script by Christine Conradt and Sean Hogan seems to like being shocking for shocking sake without legitimately trying to tell a story. We get incest, kidnaping and murder without any real reason why and by the end we really don’t see a point to it all. Greene does better than she is usually given credit for but, the film wastes it on just being bad…and at only 90 minutes, kinda boring too.

2 star rating

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THIRD PERSON (2013)

Written and directed by Paul Haggis, this is an interesting and engaging drama with three stories told that we know will connect somehow by the time the credits roll. We have a writer (Liam Neeson) separated from his wife  (Kim Basinger) and with his lover Anna (Olivia Wilde) in Paris, while trying to complete a new book. We have Scott (Adrien Brody) on business in Rome who finds himself in the middle of a situation involving a mysterious and beautiful woman (Moran Atias), money and some shady characters. In New York there is troubled ex-actress Julia (Mila Kunis) who is trying to regain visitation with her young son after being accused of trying to harm him. Her artist ex-husband (James Franco) adamantly refuses to let her see him, while her lawyer (Maria Bello) tries desperately to change the judge’s mind despite Julia’s inability to handle the situation responsibly. The three stories are all well directed and acted and while I did figure things out before the reveal, it is still effectively done. Brody’s story is the weak link but, otherwise an entertaining drama with a fine cast.

3 star rating

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 -MonsterZero NJ
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TOMB OF NOSTALGIA: AVENGING ANGEL (1985)

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AVENGING ANGEL (1985)

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Sequel to New World’s exploitation hit Angel was rushed into production and released just under a year from the 1984 original…and it shows. The story has Molly/Angel (now Betsy Russell) off the streets and in college for four years, thanks to Lt. Andrews (now Robert F. Lyons). When Andrews is gunned down by a group of mobsters, Molly returns to the streets as Angel to track down his killers. Helping her are her old street ‘family’ Kit (Rory Calhoun), Solly (Susan Tyrrell), Yo-Yo (Steven M. Porter) and witness Johnny Glitter (Barry Pearl).

While the creative team of writer/director Robert Vincent O’Neill and co-writer Joseph Michael Cala return, lead actress Donna Wilkes and actor Cliff Gorman did not and it hurts the continuity of the flick. Add to that a new cinematographer, Peter Lyons Collister, giving it a different look and new composer, Christopher Young giving it a new score and you get a film that barely registers as a sequel if not for Calhoun, Tyyell and Porter to give it a familiarity with the first flick. That aside, the exploitation elements are really watered down and it feels like a TV movie. O’Neill gives it none of the style and fun trashiness of the original and the story is very uninspired. There seems to be an effort to clean it up for more mainstream consumption to the point of a baby being added to the proceedings, which is completely unnecessary. It’s got none of the energy the first flick had either, nor the atmosphere of the streets that the first flick used so well. The acting is very wooden, except for the delightfully energetic Calhoun and Tyrrell and despite being quite a fox, we don’t endear to Russell’s Angel as we did with the sympathetic teen street walker of Wilkes’s incarnation. It feels like a totally different film and a totally different kind of film, as it tries to be more action flick than exploitation movie…and being an exploitation movie was part of what made the first film work. A high school hooker being hunted by a serial killer is sleazy fun, some college girl avenging a friend’s death in fishnets and a miniskirt, not so much.

I actually saw this chapter in a theater and it was very disappointing. The original Angel nailed the exploitation tone perfectly for a story about a high school student turning tricks as a Hollywood hooker and this film tries to downplay it’s sleazy roots and go for a more mainstream low budget action flick and fails. None of the style or trashiness that made the first flick so enjoyable is there and one wonders if writer/director O’Neill wanted to do this movie at all and was just accepting a paycheck. If not for a few supporting characters being present and acted by their original performers, this would not feel like a sequel to the 1984 hit. When you throw in the baby and a lot of broad humor, it almost isn’t. Despite under-performing at the box office, there were two more sequels with two more actresses as Angel. Avenging Angel also stars Escape From New York’s Frank Doubleday as a mobster’s arrogant son.

-MonsterZero NJ

2 hot, but yet, not Angels.

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WEEKEND BOX OFFICE ESTIMATES MAY 8-10

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Complete estimates are in for the weekend box office!

1. “Avengers: Age Of Ultron” $77.2 Million

2. “Hot Pursuit” $13.3 Million

3. “The Age Of Adeline” $5.6 Million

4. “Furious 7” $5.27 Million

5. “Paul Blart: Mall Cop 2” $5.2 Million

6. “Ex Machina” $3.47 Million

7. “Home” $3 Million

8. “Woman In Gold” $1.65 Million

9. “Cinderella” $1.57 Million

10. “Unfriended” $1.4 million

source: Box Office Mojo

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