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If there is ever an example of Liam Neeson’s ability to elevate a routine thriller and make a cliché character interesting, it’s here. Flick has Neeson as an ex-alcoholic, ex-cop with a past…wasn’t kidding about the clichés…who is now a private detective and is hired by a drug trafficker (The Guest’s Dan Stevens) to find the men who kidnaped and brutally murdered his wife. As a thriller, the film is well directed by Scott Frank from his own script based on Lawrence Block’s book. There is nothing new here, though, as we get an investigation that leaves to something much deeper and darker and we even get the smart-aleck neighborhood kid turned sidekick. Neeson is solid and intense and makes the whole affair seem much more important than it really is, despite that once it’s over you realize that nothing much was actually achieved. A movie that is far more entertaining than it should be, even though we’ve seen Neeson threaten people on the phone countless times by now. Thanks, Liam!

3 star rating




Some of Terry Gilliam’s early films are borderline brilliant, such as his cult classic Brazil and the award winning The Fisher King. Ex-Python Gilliam has seemed to have lost his way, though, after the dead-on Fear And Loathing In Las Vegas and the collapse of his Don Quixote film…and this colorful but, convoluted Sci-Fi flick proves it. Despite a really good performance from Christoph Waltz as the eccentric Qohen Leth, the film meanders for over 100 minutes but, never really goes anywhere. There is the usual original and sumptuous production design, as is typical of Gilliam’s films, but Pat Rushin’s story of a futuristic corporate run society…a theme already overdone…where the loner Leth is asked to prove a theorem that everything is leading up to nothing, doesn’t really lead to much in itself. No more proof of The Zero Theorem than the actually film, which achieves little after almost two hours of Gilliam’s off-beat comedy and the antics of the story’s eclectic, cartoonish supporting characters. As a fan of Gilliam, I didn’t hate it. There were things to like, such as the visuals, Waltz’s performance and a delightfully sexy role from French actress Mélanie Thierry as a cyber-sex girl who falls for Qohen. As a complete film, however, it achieves little. Gilliam is still one of the most original filmmakers around but, it’s been awhile since he accomplished something noteworthy. Also stars Matt Damon as “Management” and Tilda Swinton as a cyber-shrink.

2 and 1-2 star rating


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