OPEN WINDOWS (2014)
Open Windows is an interesting and sometimes, effective thriller written and directed by Nacho Vigalondo who also wrote and directed the clever 2007 Timecrimes. The film opens with nerdy Nick Chambers (Elijah Wood) in his hotel room watching a convention event for the film Dark Sky: The Third Wave on his laptop. Nick runs a fan website for the film’s star, the beautiful Jill Goddard (ex-porn star Sasha Grey) and is there because he entered a contest and won a date with his obsession. Nick is suddenly contacted online by a person known only as Chord (Neil Maskell) who informs him that Miss Goddard has canceled the date and that he sympathizes with Nick and would like to let him have a little fun with the actress for his troubles. He begins to hack into all her personal feeds such as phone, e-mail, surveillance cameras, home computer and, at first, Nick is stunned but amused by this voyeuristic invasion of his dream girl’s privacy. Things take a malicious turn, though, and soon Nick finds himself in the middle of some twisted game that involves harassment, torment, kidnapping and possibly murder…and Chord has let all cyber trails lead to Nick as the one responsible.
The first half of this movie had me. It was disturbing and creepy and made me appropriately uncomfortable as we watch a woman’s privacy and life invaded unknowingly and then having her manipulated and tormented by some unseen individual, with an innocent set up to take the blame. Vigalondo cleverly tells his story of stalking, taken to a vicious level, through the various open windows on Nick’s laptop as Chord pulls him into his twisted game. Unfortunately, the writer/director gets a bit overindulgent and the story gets far too complicated for it’s own good with the last act just getting convoluted and silly. A simple plot of a man forced to watch his female fantasy stalked and tormented by some mysterious and malicious individual was working just fine but, then we get the inclusion of a trio of French hackers, who seem only to exist as a plot device, and a fourth master criminal/hacker named Nevada who only exists to set up some last act plot twists. The film was doing just fine as a intimate thriller and suddenly it becomes a cyber James Bond/Jason Bourne flick compete with car chases and explosions and multiple…and unnecessary…plot diversions. The last act is literally out of one of the lesser James Bond flicks with secret hideouts, damsels in distress and an overconfident, pontificating villain. It becomes a comic book spy movie all told from Nick’s laptop, of which the novelty has worn off. It’s just silly. Sometimes less is more and Vigalondo should have stuck with his simple premise and found a smaller and less overloaded way to play it out. Sometimes a director having his cake and eating it too is far too filling for his audience and it certainly is the case here as a good thriller is drowned in excess.
The somewhat small cast are pretty good, at least. Elijah Wood does good work establishing his nerdy, lovelorn Jill Goddard fan, Nick, who becomes terrified as to what he let himself get dragged into. Even when the plot starts to spin out of control, he presents an unlikely hero as he tries to outwit this mysterious Chord and come to Jill’s rescue. As Jill, Grey is fine. She ‘s a bit rough around the edges but, she gives us a starlet who is a bit of a bitch but, not enough that we don’t sympathize with her when she is becoming victimized. She’s a very pretty girl, does have some screen presence and she fits the part and with more experience could be a good actress. As Chord, Neil Maskell is creepy and threatening…especially since most of his performance is vocal…and, once we meet him, a bit pathetic. Though, I didn’t quite buy that such a clever creep was so easily fooled when some of the plot twists come. It’s an effective enough cast that keeps you far more invested in the goings on…especially after the story spirals into it’s overindulgent final act…than you should be.
In conclusion, I was entertained and the film didn’t completely loose me but, really neutered it’s effective first half by getting so overly complicated in it’s second. The use of computer windows and computer simulations to tell it’s story was very well done and clever but, it’s too bad Vigalondo got too giddy with adding complex twists, unnecessary characters, car chases, crashes and explosions. It becomes a completely different film in it’s second half and one not nearly as effective, even if it still is a little fun. Worth a look but, disappointing when it’s set-up and initial sequences were working so well.
2 and 1/2 laptops.