The presence of Liam Neeson can elevate most films to another level, but even he can’t salvage this thriller which starts out ridiculous and switches gears to ludicrous in it’s last act. Neeson plays alcoholic and paranoid US Air Marshall, Bill Marks (how did he get this job?) who is framed for the hi-jacking of the very flight he is on. Jaume Collet-Serra (House Of Wax) does a good job of directing this silly film, from a script by three people no less, but can’t save it from the fact that it just gets more outlandish and unbelievable as it goes on. There is some tension and suspense, and certainly a lot to chuckle about, but all it really succeeds in doing is evoking memories of those silly, over the top Airport movies from the 70s, but without Shelly Winters and George Kennedy. Also stars Julianne Moore whose character’s purpose in the film still eludes me.
Probably the best movie you will ever see about a guy driving from one place to another talking on the phone in his car. What could have been a real snooze fest is brought to intense life by a riveting tour de force performance by Tom Hardy and skilled direction from Steven Knight, who also wrote the script. The film takes place over just a few hours as Ivan Locke leaves his construction site job to join a woman who he impregnated during a one night stand. The entire film is he communicating with various individuals as his choice to be with this practical stranger, as she gives birth, causes his idyllic and successful life to come crashing down around him. It takes a lot of skill to make a flick like this work and work it does.