ENEMY TERRITORY (1987)
Enemy Territory is an obscure and currently unavailable 1987 urban action exploitation flick from Charles Band’s defunct Empire Pictures that I was fortunate enough to have seen at the Hyway Theater in Fair Lawn N.J. during it’s release in the late 80s. It was unusual for Band to produce a straight action film without killer dolls, robots or creatures and it’s controversial storyline of a white insurance agent being trapped in an inner city tenement and pursued by a black youth gang, may be one reason the film appears to remain out of print. But it is an exploitation film and it is the nature of the beast with such flicks to present controversial or taboo subjects in an entertainment format and Enemy Territory is no different. I had an opportunity to revisit it, recently and see if it was still the entertaining B-Movie I remembered it to be. It is.
The film takes place in NYC and tells the story of down on his luck insurance agent Barry Rapchick (Gary Frank) who is desperate for cash and goes into the crime-ridden ghetto neighborhood of Lincoln Towers at dusk to get a policy signed that will net him a big commission. But a run-in with a young member of the Vampires gang, a gang that rules the night in Lincoln Towers, leaves the youth (Teddy Abner) and a security guard (Tiger Haynes) dead. This makes Barry a marked man and a man hunted through the embattled tenement by the vicious gang and it’s psychotic leader (Tony Todd) who torment and kill anyone who gets in the way of them catching their prey. Befriended by sympathetic phone repairman and army veteran Will (Ray Parker Jr.) and some good natured tenants, Barry might have a chance to survive. But the Vampires are many and Barry’s allies are few and it’a a long way down to the ground floor and a longer way till dawn when the police would even dare enter the notorious neighborhood.
Low budget thriller is directed by Band regular Peter Manoogian, from a script by Stuart M. Kaminsky and Bobby Liddell and is an entertaining and suspenseful B-Movie that manages to make good use of the isolated and claustrophobic setting of it’s inner city tenement building location. Manoogian overcomes some cheesy dialog to create some nice atmosphere and tension and give us some effective low budget action scenes to punctuate all the hiding and running around. And the film can be very violent and bloody at times as a result of that action. There are certainly some characters (the gang) that were stereotypical of movies of this era, but there are also some down to earth and very human characters (the tenants) to balance it out. The performances from the principles are better then you might expect in such a low budget flick with Gary Frank being effective as the ‘humbled’ white yuppie, Barry and singer Parker, giving us a noble working class man who believes in doing the right thing, as Will. Frances Foster is solid as Elva, Barry’s client, a good Christian woman who becomes one of his allies against the brutal gang members. Fan favorite Tony Todd is appropriately over-the-top as the psychotic gang leader, “The Count” as is Jan-Michael Vincent as Parker, a well-armed but paranoid and bigoted, wheelchair-bound Viet Nam vet who lives in a fortified apartment in the tenement building and gets drawn into the conflict. Rounding out is sweet but street-tough Toni, played well by Clueless’ Stacey Dash in her first film. On a technical side, the film uses a lot of location shooting, so it looks solid on a meager budget and the cinematography is by future Spike Lee DOP and established director in his own right, Ernest R. Dickerson.
I can see how in today’s easily offended and overly-sensitive times where a lot of this flick’s racial content could make distributors wary of releasing it. I have yet to find definitive proof that the film’s blunt portrayal of racial issues, stereotypes and prejudices is the reason it languishes unreleased on DVD or Blu-Ray, but I do feel it’s a good guess. I don’t get the impression the film was trying to be crass in it’s portrayal of a white man caught in the middle of inner city violence. And despite being an exploitation flick, it never seems to make light of gang violence and though presented in an action film content, I don’t think there is any intent to make light of the negative aspects of inner city life or the unfortunate prejudices between the races, either. As I stated earlier, for every stereotype, there is a more down to earth character to demonstrate that the stereotypes do not represent the community as a whole. Remember, it would be a few years yet before filmmakers like Spike Lee and John Singleton would present to audiences a far more serious look at life in our country’s ghettos for minorities and raise awareness and sensitivity toward the subject. This is an 80s flick and it has a heavy 70s vibe. Even if Enemy Territory‘s grim depiction of urban life is a bit more comicbook-ish, it still has some resonance beyond the over the top gang characters and gunfire. Overall, it is made to entertain and is far from a message film, but in my opinion, if you watch the film objectively, it does ultimately show that there is good and bad in everyone and prejudices are based on exceptions and not the rules, even if the flick’s first concern is telling an entertaining action story…and as low budget action flicks go, Enemy Territory is actually pretty good, if viewed simply as the action/exploitation flick it’s meant to be.