ASSAULT ON PRECINCT 13 (1976)
Tasked by producer J.S. Kaplan to make a low budget film for him, John Carpenter came up with this violent and action filled urban version of one of his favorite Howard Hawks westerns, Rio Bravo. Two years before he hit big with Halloween, Carpenter wrote, directed, edited and composed the score for this cult classic about a remote and soon to close ghetto police station, under siege by a vengeful and well-armed youth gang. Lt. Ethan Bishop (Austin Stoker) is sent to oversee the closing night of the Anderson ghetto police precinct, an assignment he expects to be routine and dull. But across town a youth gang with a cache of stolen guns and already sworn to avenge the death of some members by a police ambush, roam the streets looking to take their anger out on someone. They pick a poor ice cream vendor (Peter Bruni) and when a little girl (Kim Richards) gets in the way, both vendor and his young customer are brutally murdered. When the little girl’s father (Martin West) follows and kills a gang member, the rest chase him across Anderson where he finds himself at the skeleton crewed police station. Add to that the arrival of a bus carrying prisoners being transported to a state correctional facility who stop at the precinct when one prisoner takes ill and we have a recipe for a night of violence, revenge and a fight to survive. Now Bishop and the meager staff of the precinct must decide if they can trust two hardened criminals as the gang Street Thunder lays siege to the station with intensions of killing everyone inside.
Assault On Precinct 13 is a great little action flick that definitely foreshadows the type of intensity, suspense and style that John Carpenter would become known for. The film is loaded with tense action as the gang tries to get into the station and slaughter all inside and the uneasy alliance of cop and inmate must somehow fend them off with very little arms or ammo. And it works, because not only has Carpenter set up this claustrophobic situation of a remote and small building surrounded by vicious enemies but fills it with great and endearing characters like the noble Bishop, the death row inmate with a sense of honor, Napoleon Wilson (a great Darwin Joston) and resilient and tough secretary, Leigh (Laurie Zimmer).
The acting is top notch with Stoker, Joston and Zimmer really giving intense and well-rounded performances in their respective roles and a good supporting cast including Carpenter familiar faces Charles Cyphers, as the prison bus commanding officer and Nancy Loomis as meek secretary Julie, along with Tony Burton as prison inmate Wells. We never get to personally interact much with the vengeful gang, instead they are presented as a malevolent and deadly force, a faceless wall of death that surrounds and closes in on the station’s occupants and this approach keeps them a dangerous and unpredictable element whom we fear because, like Michael Myers in Halloween, they appear less human and more a force of homicidal rage. It gives them a supernatural quality despite being very much flesh and bone.
The action scenes are very intimate but intense, fast paced and well shot and, as with all Carpenter’s movies, the film has a great visual style that makes good use of its desolate locations and its largely night set scenes. While the film didn’t get much notice upon release, it was a hit in Europe and, as with a lot of Carpenter’s work, is now recognized for the classic film that it is. In my opinion it is one of what I call ‘Carpenter’s Core 5’ which in my opinion are his best films… or at least my favorites… Assault On Precinct 13, Halloween, The Fog, Escape From New York and The Thing. A great low budget action classic!
Rated 4 (out of 5) classic bullets.
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